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Jefferson Airplane's "Surrealistic Pillow (1967)"

Updated: Oct 16, 2023


(Written with assistance of ChatGPT)


In the annals of rock history, few albums have managed to capture the zeitgeist of their era as effectively as Jefferson Airplane's "Surrealistic Pillow." Released in 1967, at the height of the Summer of Love, this album is not just a collection of songs but a reflection of the countercultural movement that was sweeping across America, particularly in the band's hometown of San Francisco.


From the iconic cover art to the psychedelic soundscapes contained within, "Surrealistic Pillow" is a journey into the heart of the 60s. It's a testament to the band's ability to blend various musical influences, from folk to rock to blues, into a cohesive and groundbreaking sound.


The album kicks off with "She Has Funny Cars," a track that immediately sets the tone with its driving rhythm and distinctive vocals from Marty Balin and Grace Slick. Slick, who had recently joined the band, would prove to be a pivotal addition, bringing with her not just her powerful voice but also two of the album's standout tracks: "White Rabbit" and "Somebody to Love."


"White Rabbit" is, without a doubt, one of the defining tracks of the psychedelic era. Drawing inspiration from Lewis Carroll's "Alice in Wonderland," the song is a hypnotic journey down the rabbit hole, with Slick's haunting vocals leading the way. The use of Spanish flamenco guitar gives the track an otherworldly feel, making it a perfect representation of the album's title.


On the other hand, "Somebody to Love" is a raw, powerful anthem of longing and desire. Slick's voice soars over the driving beat, making it one of the most memorable tracks on the album and a staple of classic rock radio to this day.


But "Surrealistic Pillow" is not just about its hits. Tracks like "My Best Friend" and "Comin' Back to Me" showcase the band's softer, folk-inspired side, while "3/5 of a Mile in 10 Seconds" is a rollicking rock number that highlights the band's tight musicianship.


One of the album's hidden gems is "Today," a melancholic ballad penned by Balin and Paul Kantner. With its lush orchestration and heartfelt lyrics, it's a poignant reflection on love and longing.


The instrumental "Embryonic Journey," composed and played by guitarist Jorma Kaukonen, is a beautiful acoustic piece that provides a moment of calm amidst the album's more intense tracks. It's a testament to the band's versatility and willingness to experiment with different sounds and styles.


In many ways, "Surrealistic Pillow" is a product of its time, deeply rooted in the cultural and social upheavals of the 60s. But it's also timeless, with songs that resonate just as powerfully today as they did over five decades ago.


The production, helmed by Rick Jarrard, is top-notch, capturing the band's energy and spontaneity while also giving each instrument and voice the space to shine. The album's mix of electric and acoustic sounds, combined with its innovative use of studio effects, makes it a sonic delight.


In conclusion, "Surrealistic Pillow" is not just an album; it's an experience. It captures a moment in time when music, culture, and society were undergoing profound changes. Jefferson Airplane, with this album, positioned themselves at the forefront of the psychedelic rock movement, and their influence can still be felt today. For anyone looking to understand the spirit of the 60s or simply enjoy some fantastic music, "Surrealistic Pillow" is essential listening.


Shannon McDowell and ChatGPT

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